Monday, September 29, 2014

Video for "Riverbed," the First Song From My New Project


This song was produced by Ganzobean, and shot/edited by Adam J. Dunn for his #LAAB series. We wanted to shoot something nontraditional, something that might communicate vulnerability, just a straight three minutes of my face, close up. I wouldn't normally do that for a video, but this song and its subject matter demanded a different approach.

If you like it, or if you can relate to it, or if you think someone, somewhere, might find something good in it, sharing is always appreciated.

This also happens to be the first song from my upcoming project, "A LOVE SONG, A DEATH RATTLE, A BATTLE CRY." It's a book, plus a compilation CD featuring some brand new songs, some never-before-heard remixes, some re-mastered versions of older songs, and basically, the best work I've ever done, all in one place. More info coming soon. Thanks for listening.

Sunday, September 21, 2014

Wednesday: SHUT IT DOWN: A Night of Hip Hop, Poetry and Action to Disrupt Street Harassment


Twin Cities people: hope you can make it to this show. We're raising money for a very good cause, signal-boosting people through an interactive sign-making/photo-booth kinda thing, and showcasing a hell of a lineup of artists. Facebook event page here.

It'll also be an opportunity to plug into some of the work that's being done here in the TC around rape culture and sexual assault prevention-- organizations like SVC and the Aurora Center will be tabling, with resources and contact info.

This issue is important to me because I've found that making the connections between so-called "little things" and larger realities of harm and oppression is a central part of the work. It's easy for someone who doesn't experience catcalling, or online harassment, or other forms of harassment to write it off as no big deal. But it is a big deal. This stuff directly relates to systems of power and domination that make sexual assault on college campuses, in the military, and everywhere so horrifically widespread.

This event is about continuing to cultivate a platform of resistance, plugging people into organizations, and throwing a beautiful show at the same time. Hope to see you there.

Other Resources:

"Next Time Someone Says Women Aren't Victims Of Harassment, Show Them This"

Interview with Feminista Jones about #YouOkSis at the Atlantic

"Shit Men Say to Men Who Say Shit to Women on the Street"

Zerlina Maxwell on Street Harassment, Catcalling, and Rape Culture at Ebony

Interview with Tatyana Fazlalizadeh of "Stop Telling Women to Smile" at the Daily Beast

Sunday, September 14, 2014

A Preview/Review of Toki Wright & Big Cats' PANGAEA

(UPDATE: the album is available now)


I didn't have song titles on my advance copy of Toki Wright & Big Cats' new album "Pangaea." I was about to email to ask for them, but got distracted by the music. And maybe that's part of the point. This isn't just a collection of hot songs-- it's a cohesive, intentional, capital-A Album. A statement. A manifesto.

It's also a left turn. When I heard that my favorite producer (full disclosure: "Guante & Big Cats" also exists) was collaborating with someone whom I've said may be the most underrated MC in all of U.S. hip hop, may be the best pure MC in the saturated Twin Cities scene, and is definitely one of the smartest, sharpest hip hop artists you'll find anywhere... well, I anticipated something different. Maybe something a little more meat-and-potatoes, a high-level "beats and bars" type of rap album.

Because this duo could have done that, and it would have been magnificent. What we have instead, is something just as rich, and just as rewarding, but not nearly so "easy."

Saturday, September 06, 2014

Brand New Poem via Button Poetry: QUICKSAND + The Urgency Gap and How We Respond to Injustice



First of all, thanks once again to Button Poetry for the massive signal boost. The work that they've done over the past two years has been really important, in ways that I don't think a lot of us are recognizing in the present.

As for this poem, I wrote it after #Ferguson, but it's more broadly about how we respond to injustice, especially when we're not directly affected by that injustice. How do white people respond to racial violence? How do men respond to sexual assault statistics? How to wealthy people respond to hunger and homelessness,? Etc.

To be clear, I think there is a continuum of responses-- some of the stuff highlighted in this poem is negative, some of it is fine, some of it is positive, a lot of it is connected-- but it's all about highlighting what I think of as "the urgency gap," how we're so quick to treat other people's life-and-death struggles as an intellectual or emotional exercise.

I'm guilty of this too. Part of the reason I wrote this poem is that it's a reminder to myself that signal-boosting is good and necessary, talking about privilege is good and necessary, writing poems is good and necessary-- but we can't lose sight of the central importance of organizing, working collaboratively to act on these problems. All of those other responses and actions are necessary to support that organizing work, but the issue, as I see it, is that they're not enough by themselves.

And far too often, they're all we give.

Related: my post from last week "This is Not a Think  Piece: Turning Outrage into Action from Ferguson to the Twin Cities," a collection of resources, interviews, links to organizations and more for anyone who wants to get involved in organizing against police brutality.

Related: my post from right after the Zimmerman verdict, about a lot of the same issues.

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